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Posts Tagged ‘unsung heroes’

Rio Lobo Guitar

I’ve written about Tommy Tedesco and jazz’s “unsung heroes” on this blog before.  It bears worth mentioning once again that many jazz musicians relied on their studio session work more than anything else to put food on their family’s table.  While Tommy Tedesco played guitar as a session musician on albums that garnered millions for well-known artists, he never had a successful recording career himself.

Sadly, Tedesco’s highly influential and often brilliant studio work mostly went unaccredited (cf. Denny Tedesco’s Wrecking Crew documentary and Guitar World‘s 2014 interview with him).  I recently discovered a powerful example of this when I watched the 1970 John Wayne western Rio Lobo.

The opening sequence was fascinating and unlike anything I’ve ever seen before.  William H. Clothier, cinematographer for countless westerns, including many John Wayne westerns, and main title designer Dan Perri, who for many years remained uncredited as the creator of the guitar sequence (Perri, along with George Lucas is best known for creating the famous “opening crawl” main title sequence for the very first Star Wars film:  Star Wars:  Episode IV – A New Hope, 1977) collaborated on the Rio Lobo opening sequence.

The Rio Lobo title sequence shows a Spanish style guitar being played from a variety of different angles, including an “inside” shot of the guitar from behind the strings. Composed by Jerry Goldsmith, the guitar instrumental itself is a rather run-of-the-mill sentimental Spanish melody.  The musician is filmed while he fingers the chords and notes, using standard Spanish sounding arpeggios.

Curiously, I discovered that the guitarist was Tommy Tedesco, though he goes uncredited for his work.  However, the musician shown playing in the film, according to Denny Tedesco, is not Tommy Tedesco.  Tedesco never played using only his fingers; he only played using a pick.

Here’s the main title sequence to Rio Lobo:

How Tommy Tedesco’s playing ended up on the opening title sequence of a John Wayne movie is probably the same way he ended up playing on the Beach Boys Pet Sounds album:  as a dedicated studio musician willing to lend his virtuoso guitar talents to anyone who needed him.

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